During a routine family gathering in the 1970s, photographer Nicholas Nixon decided to embark on a unique endeavor that would leave an indelible mark on his life and the lives of four sisters. Inspired by his wife and her siblings, Nixon embarked on an extraordinary journey of capturing an annual photograph of the sisters. What started as a simple idea grew into a profound exploration of sisterhood, love, and the passage of time.
Year after year, the sisters stood before Nixon’s lens, their lives unfolding and intertwining, creating a poignant testament to their unbreakable bond. Unbeknownst to them, this humble tradition would evolve into a timeless reflection on the ephemeral nature of existence. From that initial spark of inspiration, a powerful testament to the enduring connection of sisterhood emerged, transcending the boundaries of time.
1975
Intrigued by the idea of capturing the essence of sisterhood, Nixon embarked on a 40-year-long endeavor that would result in a captivating series of photographs. The images, taken annually, serve as a testament to the passage of time and the enduring bonds between the four sisters.
Through the lens of Nixon’s camera, the viewer witnesses their joys, sorrows, and everything in between. The photographs transcend mere snapshots, becoming a profound exploration of the human experience and the complexities of family dynamics. Nixon’s spontaneous request at that family dinner forever immortalized the beauty and strength found in the unbreakable bond of sisterhood.
1976
Amidst the mundane family gathering, Nixon’s spontaneous request for a photograph ignited a creative spark that would continue to burn for decades. The initial shot was a revelation, capturing the sisters’ natural beauty and the unique dynamics between them.
Inspired by the magic of that first image, they made a pact to recreate it annually, creating a visual time capsule of their lives. Each year, they would gather before Nixon’s lens, their bond growing stronger with every click of the camera. From that fateful moment in 1974, a remarkable journey began, chronicling the joys, sorrows, and transformations of sisterhood through the lens of artistry.
1977
Through the lens of Nicholas Nixon’s annual project, the passage of time becomes palpable, revealing the sisters’ evolution in both appearance and style. The initial images portray a sense of timelessness, but as the years progress, subtle yet significant changes unfold. From fashion choices to hairstyles, the sisters adapt to the shifting trends, embodying the essence of each era.
The photographs serve as a captivating visual record, not only of the sisters’ personal journeys but also of the broader societal transformations reflected in their attire. This project becomes a testament to the ever-changing nature of fashion and its role in shaping our identities over time.
1978
Despite Nicholas Nixon’s initial dismissal of the first photograph, his ongoing project with the Brown sisters attracted significant attention, culminating in a major exhibition at the renowned Museum of Modern Art (MOMA). Titled “Nicholas Nixon: Forty Years of the Brown Sisters,” the exhibition showcased the profound and captivating journey captured through the lens of Nixon’s camera.
The inclusion of previously withheld details from the early years added intrigue and depth to the narrative, leaving viewers captivated by the unfolding story of the sisters’ lives and their enduring bond. Nixon’s work had transcended the realm of personal documentation to become a poignant and celebrated artistic exploration of time and family.
1979
“The series emerged from a sense of ennui,” Nixon revealed in an interview with The Guardian. He further explained, “During our visits to Bebe’s parents on weekends, there was a prevailing sense of monotony. The socializing became repetitive, and we were obligated to attend daily dinners…
In a lighthearted moment of desperation, I suggested, ‘Let’s take a picture.'” At the inception of the project, Heather was 23, Mimi was 15, Bebe was 25, and Laurie was 21. As the years passed, they gradually realized that this annual photographic ritual provided a poignant portrayal of the inexorable march of time and the inherent aging process.
1980
The annual tradition adopted by the Brown sisters and documented in Nicholas Nixon’s photographs is a significant and intriguing aspect of the MOMA exhibition. The deliberate decision to gather each year and maintain specific constants in the series showcases their dedication to preserving visual continuity and shared decision-making.
The sisters, Heather, Mimi, BeBe, and Laurie, consistently appear in the same order, symbolizing their unchanging bond. The collaborative selection process for each year’s image highlights their collective commitment to capturing the passage of time and the evolving dynamics within their sisterhood. This intentional approach adds depth and meaning to the project, enhancing its impact and resonance.
1981
The photographs show the sisters as liberated souls reveling in the beauty of the natural world around them. Little did they know that their project would evolve into an exhibition at one of the world’s most prestigious and respected art galleries. Of all Nixon’s endeavors, this particular series proved to be his most famous and indelible.
It carved out a distinctive niche for him in the realm of photography. As for the sisters, they seemed receptive to the idea when Nixon proposed it, though he was unaware of the journey that lay ahead. However, amidst all the revelations, there was one aspect that Nixon chose to remain silent about…
1982
As Nicholas Nixon curated the growing collection of photographs, he made a conscious decision to preserve the sisters’ anonymity. This decision stemmed from his desire to maintain a sense of professionalism and to ensure that viewers could appreciate the artwork independent of his personal life.
By keeping the sisters’ faces anonymous, the focus was solely on the artistic value of the work, rather than being influenced by the background story of why these four women were photographed year after year. The intense gazes of the Brown sisters captivated and enthralled viewers, drawing them into the enigmatic allure of the images.
1983
Nicholas Nixon’s photographs of the Brown sisters evoke a sense of curiosity and empathy among viewers. While information about the sisters’ personal lives is scarce, their familiar faces captured in the series ignite a deep connection with the audience. The passage of time reflected in the images allows viewers to imagine the joys, sorrows, and shared experiences the sisters may have encountered throughout the years.
This emotional response demonstrates the power of art to bridge gaps of familiarity, inviting viewers to project their own stories onto the subjects and fostering a unique bond that transcends the limitations of personal knowledge.
1984
The enigmatic nature of the sisters’ lives and the absence of explicit information added to the allure of Nicholas Nixon’s project. Viewers were left to ponder the motivations behind the sisters’ agreement to be photographed and to speculate about their individual pursuits and thoughts.
This ambiguity fueled the popularity of the exhibition, as it allowed viewers to exercise their imagination and fill in the gaps with their own narratives. By engaging in this process of interpretation, viewers formed a unique and personal bond with the sisters, connecting with the images on a deeper level and finding meaning in their own imaginative interpretations.
1985
Nicholas Nixon’s insightful remark about the passage of time resonates as viewers engage with his iconic series documenting the Brown sisters. The presence of the sisters in each photograph acts as a reliable indicator that another year has passed. Some images reveal a deepening bond, like the touching connection captured in the 1985 photograph. These instances of physical closeness symbolize the enduring relationships and evolving emotional ties between the sisters.
As viewers contemplate these nuances, they are prompted to reflect on the intricate dynamics of sisterhood and the fleeting nature of time. Each new photograph invites us to witness the profound journey of sisterhood, evoking a sense of intimacy and introspection.
1986
The subtle variations observed from year to year only served to increase the enthusiasm with which fans examined the images. In particular, the 1986 photo stands out because it deviates from the sisters’ typical serious gaze into the camera. The slight smiles that adorn their faces could be attributed to a coincidental alignment with their cheerful mood that day, or perhaps in response to a lighthearted moment initiated by Nixon himself, the photographer.
Viewers responded warmly to the image, appreciating it as a departure from the sisters’ usual somber expressions. It offered a glimpse into a more lighthearted facet of their personalities, inviting a sense of joy and adding a touch of delightful surprise to the overall contemplative tone of the series.
1987
Nixon shed further light on his vision for capturing these moments, sharing insights in an interview. He revealed, “It didn’t truly become serious until the following year, 1975, which coincided with Laurie’s college graduation.” Recalling the previous photograph he had taken of the sisters, he decided to capture the second one, almost impulsively suggesting they maintain the same order.
Little did he anticipate that this spontaneous decision would spark a remarkable tradition that would endure for 40 years. It was at that moment of whimsy and serendipity that the seeds of the project were sown, ultimately blossoming into a profound and enduring visual narrative of the sisters’ lives.
1988
With a well-formed idea taking shape in his mind, Nixon was eager to set his plan in motion. Although the sisters were open to the concept, none of them could have anticipated that the initial notion of capturing a single photo with their siblings would evolve into something of such significant magnitude. Reflecting on the pivotal moment, Nixon recollected, “Having those two pictures in my hand, with a year’s gap between them, sparked the idea that it would be truly captivating to continue this project indefinitely.”
Fueled by his inspiration, he approached the sisters and proposed the idea. Their response was one of laughter, as they playfully agreed, saying, “Sure, why not?” Little did they know that this lighthearted agreement would lay the foundation for a profound and enduring photographic journey spanning four decades.
1989
One of the most captivating and striking transformations witnessed in the sisters is their journey of maturation. Beyond the evident changes in their faces and skin as they aged, their fashion choices served as a reflection of the evolving times. Although the sisters gathered regularly and interacted with one another, these changes went unnoticed.
It is only by examining the photographs collectively, year after year, that the profound nature of these transformations becomes apparent. None of them could have foreseen the remarkable longevity of the project, with its ability to capture the passage of time in such a compelling manner. The realization that this endeavor spanned several decades adds an extra layer of astonishment to the sisters’ own experience and the viewers’ appreciation of their journey.
1990
The project’s unexpected and enduring nature elicited surprise from fans, prompting Nixon himself to reflect on its remarkable longevity. “We joke about it,” Nixon shared, “but deep down, everyone knows that my intention is for it to continue indefinitely, no matter what.” Despite the playful banter, Nixon considered the possibility of making a few alterations to the pattern, contemplating the idea of taking three pictures, then two, and eventually narrowing it down to just one.
As for the hypothetical scenario of capturing a photo midway through the year, Nixon humorously acknowledged that they would cross that bridge when the time came. The project’s ongoing journey carries an air of uncertainty, yet the unwavering commitment to its continuation is evident, promising more captivating insights into the sisters’ lives as time continues to unfold.
1991
In this photograph, taken 16 years after Nixon initially focused his lens on the sisters, the subtle signs of aging become more apparent. While their personal lives remained a mystery to viewers, it was known that Bebe had become a mother, which naturally impacted her physical appearance. Observing the image, fans often remark on the sisters’ graceful aging process, attributing it to a combination of the timeless quality conveyed by black and white photography and perhaps the presence of good family genes.
However, in this particular capture, Nixon seems to have captured something melancholic, evoking a sense of wistfulness or sadness. The nuances within the photograph invite introspection and hint at the multifaceted emotions that can accompany the passage of time.
1992
In contrast to the melancholic tone of the previous picture, the Brown sisters radiate a sense of happiness and ease in the 1992 photograph. It is undeniable that life is full of ups and downs, and in this particular moment, the siblings exude a genuine joy. A noteworthy detail is the sight of Heather and Mimi holding hands, symbolizing their close bond.
However, Laurie’s demeanor appears slightly more reserved than usual, with one hand tucked in her pocket and the other held close to her body, away from her sister Bebe. Speculations arise that Laurie might have felt a tinge of jealousy towards the close relationship shared by the other sisters, possibly sensing a temporary sense of exclusion. Such subtle dynamics captured within the frame invite contemplation on the complex tapestry of emotions experienced within any familial relationship.
1993
The 1993 photo is said to have been taken in the summer, although the atmosphere suggests a lack of warmth in the place where the family gathered. It is plausible that they were looking for a change of scenery, perhaps venturing to a colder destination, or it could simply have been a chilly evening.
Despite the somber backdrop of the dark, gloomy sky, accentuated by the black and white composition of the photograph, the sisters exude a sense of high spirits. While their mouths may not be open in a visible smile, their eyes convey a subtle joy that reveals the happiness that resides within. This fascinating contrast between the external setting and the internal emotions creates an intriguing visual narrative.
1994
A notable aspect of the project is the absence of professional makeup and styling in the photographs, allowing the sisters to exude an authentic and sincere presence. They appear in their everyday clothes, without any deliberate effort to enhance their appearance with makeup. This choice adds to the realism and authenticity captured in the images.
Details such as crow’s feet and bags under the eyes are captured in the photos, showing the beauty of imperfection. “We just wear what we feel like wearing that day,” Bebe fondly recalls, emphasizing the sisters’ commitment to embracing their true selves throughout the journey. This commitment to naturalness and authenticity adds to the overall charm and honesty of the photographs.
1995
In this particular photo, the deep bond and closeness between the sisters is beautifully evident. Holding hands and smiling genuinely, their eyes are filled with an unmistakable love for one another. The passage of time is evident in the visible age differences between the sisters. The older sisters bear the marks of a life well lived, with loose and wrinkled skin that reflects their experiences, while the youngest sister, second from the left, has a more youthful appearance.
Despite the inevitable hardships that life brings, it is their unbreakable sisterly bond that enables them to face challenges with resilience. Nicholas Nixon’s photographic project serves as an additional testament, capturing and reaffirming the unyielding strength and deep bond that unites them.
1996
When asked about the possibility of pursuing a similar photography project with his own family, Nicholas Nixon was at a loss for a direct answer. Reflecting on his own upbringing, he shared that his parents did not have any additional siblings, thus missing out on the dynamics of having multiple siblings himself. As an only child, this absence may have fueled his motivation to embark on the project with his wife and her sisters.
In fact, he expressed a deep connection to his sisters-in-law, seeing them as similar to his own siblings. This personal connection and the desire to capture the essence of sibling relationships likely played a significant role in his decision to focus on his sisters-in-law for this remarkable photographic project.
1997
Nicholas Nixon expressed deep gratitude and appreciation for the embrace of his wife’s family, and considered himself fortunate to have been welcomed into their close-knit bond. As an only child, this bond provided him with a sense of warmth and affection that he had not previously experienced.
The act of taking the annual photos further solidified the bond between him and the sisters, deepening their relationship over time. Reflecting on the series of photographs, Nixon realized that he had become an integral part of their lives, just as they had become an integral part of his own love and affection. The shared journey depicted in the images evoked a deep sense of connection and belonging that transcended mere photography.
1998
While Nicholas Nixon has received significant recognition for his renowned project with his sisters-in-law, his talent extends beyond this particular endeavor. He has also received acclaim for his other black and white photographs, which showcase his ability to capture landscapes and individuals with remarkable depth and clarity.
The deliberate use of monochrome allows him to highlight facial expressions and textures in a way that color photography often cannot. The longevity of the project, spanning an impressive 40 years, makes it one of the longest art projects ever undertaken. Remarkably, this iconic series was not initially planned, but grew organically from a spontaneous idea, adding to its appeal and impact.
1999
In 2006, Nicholas Nixon’s remarkable project caught the attention of the Museum of Modern Art (MoMA), who approached him about exhibiting his work in their prestigious gallery. The exhibition at MoMA received considerable acclaim and recognition. The project was also featured in a special exhibition at the Modern Art Museum of Fort Worth in Texas.
Building on this success, the series was also featured in an exhibition entitled “Family Album” at MoMA in 2010. Nixon’s artistic talent and dedication were highly praised by esteemed art institutions, resulting in him being awarded two Guggenheim Fellowships and three National Endowment for the Arts Fellowships. These awards further solidified his position as a respected and celebrated artist in the field of photography.
2000
The annual photo shoot of the Brown sisters followed certain guidelines that evolved over the years. These characteristics became integral to the essence of the project, including the simplicity and naturalness of the photographs and the consistent order in which the sisters stood. The intention was to create a series that could be appreciated without the need to match faces over the span of 40 years, but rather by observing the positioning of each sister in relation to the others.
In addition, a significant and constant aspect of the project was the use of an 8″ × 10″ view camera on a tripod, capturing images on black and white film negatives. This choice of equipment and medium contributed to the timeless and enduring quality of the photographs.
2001
When the 40 images from the Brown sisters’ project were exhibited at the Museum of Modern Art (MOMA), they were resized to fit the space and printed at 20″ x 24″ each. Despite the recognition and impact of his work, Nicholas Nixon remained modest about his legacy. He believed that the world itself was far more fascinating than any personal opinions he might have about it.
Through his photography, Nixon offered a glimpse into his unique perspective, capturing moments that reflect his observations and experiences in the world. While his opinions may not be explicitly expressed, his photographs serve as a record of what he witnessed and found meaningful in his surroundings.
2002
Nicholas Nixon’s project with his sisters-in-law served as a canvas to capture the dynamic and evolving relationship between the sisters over the years. Through their portraits, viewers were able to witness the close bonds they shared. While the photographs revealed little about their individual personalities, subtle clues could be gleaned from their clothing choices, hairstyles, and body language.
The project left much to the imagination, allowing viewers to form their own interpretations and narratives about the sisters. By focusing on these visual elements, Nixon’s portraits became a reflection of the sisters’ unique identities and the unspoken connections between them.
2003
In the 2003 photo of the Brown sisters, there is a trend in which their sense of comfort and closeness with each other becomes more apparent as the years go by. Heather’s gentle gesture of placing her hand on Mimi’s head signifies a sense of protection and reassurance, conveying the message that she will always be there for her sister.
The other sisters, however, appear less comfortable, suggesting that something may be troubling them on this particular day. The overall mood of the photograph is reflected in their choice of dark clothing, which seems to reflect each sister’s individual emotions and feelings. The windy background adds to the atmospheric and introspective nature of the image.
2004
The 2004 photo of the Brown sisters stands out for a few reasons, particularly due to a subtle indication of the changing times. While the main way to discern the year in the series is through their fashion choices, this particular photo includes another element. If you look closely, you’ll notice a cell phone resting on Heather’s waistband.
This small detail represents the evolving technology of the era. Until that point, none of the sisters had displayed anything that hinted at the scientific and technological advancements characteristic of the contemporary times in the 21st century. The presence of the cell phone serves as a subtle reminder of the changing world around them.
2005
In this photo, three sisters confidently meet the camera’s gaze, while Laurie, positioned on the far right, appears lost in her own thoughts, casting her gaze towards the distance on her right side. Her expression carries a touch of angst or contemplation, leaving viewers intrigued about the emotions and concerns that may have occupied her mind during the moment the photo was taken.
In contrast, the other three sisters exude a sense of ease and comfort in front of the lens. Bebe’s gentle embrace around Laurie suggests an attempt to provide solace, but it seems that a deeper underlying issue or disagreement may have persisted, overshadowing the overall harmony of the sisters’ bond.
2006
In this photo, a noticeable shift in fashion can be observed, reflecting an evolution in the sisters’ personal style. They have transitioned from their previously gender-neutral attire to clothing that embraces and expresses their femininity. Mimi, in particular, exudes confidence as she reveals more skin and flashes a self-assured smile.
However, it is intriguing to note that Laurie continues to wear a disconcerted expression, mirroring the challenges she may have faced during this particular period. This contrast in emotions among the sisters leaves the viewer with a sense that Laurie’s journey during these years may have been more arduous compared to the others.
2007
In 2007, the Brown sisters appeared to return to their familiar and natural style, foregoing any enhancements or alterations to their appearances. This choice allowed viewers to witness the true changes that occurred in their faces over the years and decades. The focus of this project was not solely on aesthetics, but rather on capturing the evolving relationship between the sisters and the visible effects of time on their faces.
The images prioritize the genuine bond shared by the sisters, making all other elements secondary in significance. Through this approach, the project continues to offer a poignant reflection on the passage of time and the enduring connection between the siblings.
2008
In this particular photo, Mimi appears to deviate from her usual demeanor. She positions herself behind BeBe, seemingly trying to hide in the shadows instead of being at the forefront of the photograph. Mimi’s physical appearance has also undergone noticeable changes, particularly since she cut her hair short four years earlier, which lends her a more mature and serious look.
In contrast, her sisters exude a sense of composure and maturity, growing into their later years while fostering deep fondness and care for one another. The contrast in their expressions and body language adds layers of complexity to the dynamics among the sisters as they continue to navigate the journey of life together.
2009
In certain years, the noticeable changes in the sisters are particularly striking. In this particular photo, some of the sisters appear to have lost weight, and their overall appearance suggests a more significant aging process compared to the previous year. Aging is an inevitable part of life, and the Brown sisters are not exempt from its effects.
The presence of wrinkles, loose skin, and discolored skin adds an authentic and raw quality to the photograph. However, despite the physical changes that come with time, the bond of sisterhood and the strength of family relationships can continue to grow stronger, as evidenced by the progression of the series.
2010
Throughout the series, it is noticeable that Heather, Mimi, and Bebe often wear similar facial expressions, while Laurie tends to stand out with her distinct range of emotions. She is often shown with expressions of fear, sadness, and tension, creating a recurring theme in her portrayal. In this particular year, however, Laurie appears serene and at ease.
It is hopeful that during this time she has found a sense of calm in her personal relationship with the outside world. The photograph captures a moment of potential solace and contentment, offering a glimpse into Laurie’s journey within the context of the larger project.
2011
In this particular photo, a sense of division can be observed among the sisters. While Heather and Mimi are depicted looking off into the distance without physical contact, Bebe and Laurie exhibit a closer connection. They are seen touching heads, with their arms around each other, and maintaining direct eye contact with the camera.
This visual contrast suggests a separation within the image and among the sisters themselves. Although there are no indications of estrangement between them, the photograph captures a moment where the dynamics between the sisters appear to be divided into two distinct pairs.
2012
In this 2012 photo, the sisters are captured in a moment of togetherness, expressing their affection for each other. Their bodies are touching, and their outstretched arms create a sense of intimacy and closeness. It is evident that they cherish their time together and value the bond they share as sisters.
Laurie, in particular, appears happier than in previous years, a positive change that brings joy to the viewer. The photo serves as a reminder of the importance of appreciating and cherishing the moments spent with loved ones, and highlights the enduring strength of their sisterly bond.
2013
Indeed, the picture quality and the aging process are evident when examining the Brown sisters’ photographs over the span of 40 years. While the consistent use of the same camera, filter, and size provides a sense of continuity, the natural progression of time is clearly visible in the changes that occur in the sisters’ appearances.
Each sister ages and matures in her own unique way, influenced by her individual experiences and lifestyle choices. The photographs offer a glimpse into the diverse paths of personal growth and aging that the sisters have embarked upon throughout the project. It is fascinating to observe how time leaves its mark on each sister, contributing to their individual journeys and capturing the essence of their lives.
2014
The conclusion of the Brown sisters’ 40-year photography project marks a significant achievement. As they stand together one final time, the culmination of their journey is evident in this poignant image. Their good commitment to the project and the genuine bond they share as sisters shines through.
This concluding photograph serves as a testament to the enduring power of family and the profound impact of their collective story. It is a fitting conclusion to an extraordinary exhibition, leaving a lasting legacy that will be cherished by the sisters and admired by all who have been touched by their remarkable journey.
